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Archive for May, 2011|Monthly archive page

‘Authorized’ exhibition and the ’90s Internet Aesthetic

In Not so serious on May 13, 2011 at 12:33 pm

James Howard’s Authorized exhibition is an interesting take on the dial-up aesthetic which is characterised by the basic style functions of HTML, poorly animated .gif images and glitterised or WordArt style titles. In particular, Howard focuses on the empty promises and distinctly seedy designs of spam emails and illegal websites. By remixing these unique aesthetics, Howard has created legitimate and intriguing artworks which are uncanny in their familiarity. Read more about it here.

This exhibition is highly relevant to Lialina’s (2007) work on vernacular web design. Her article harks back to a time when the simplistic design functionality of HTML dominated websites, along with glitter text, site in construction animations and the now rare homepage. Lialina, like Howard, characterises these stylistic characteristics as the internet aesthetic of a bygone dial-up era. Here are a couple of examples of Howard’s work to demonstrate the stylistic features of this internet aesthetic:

From James Howard's Authorized Exhibition

From James Howard's Authorized exhibition

References:

Lialina, O., 2009. Vernacular Web 2. In O. Lialina & D. Espenschied, eds. Digital Folklore Reader. Stuttgart: Merz Akademie. pp.58-69.

Plurality of Meaning – The power of amateur journalism, the indifference of audiences

In Serious on May 13, 2011 at 11:42 am

Topic: Russell et al. (2008) compares elite media and institutions with bloggers and ponders the following question: “Do bloggers, with their editorial independence, collaborative structure and merit-based popularity more effectively inform the public?” (p.67). Do you agree? Use examples to illustrate your point of view.

Superficially, the role of journalist is as a fair and balanced witness – unbiased and uninvolved. This is the ‘journalist as hero’ (Flew, 2008 p.152), an individual dedicated to ‘late nights at the office, checking their facts and sources closely’ (Flew, 2008 p.152). This idealised characterisation is flawed however, as the professional journalist is actually instilled with a ‘fear of losing audience or market share’ (Flew, 2008 p.153) by corporate, revenue driven culture. This fear translates to news which is attractive, dramatic and accessible, not necessarily news which is honest and unbiased. Increasingly though, ‘scepticism towards mainstream media’ (Russel et al., 2008 p.67) is developing in audiences as the public becomes aware of the economic and political biases of journalists.

Amateur journalism, operating out of blogs and without financial incentive, is partially borne out of this scepticism and offers an alternative to the politically and economically constricted professional journalist. It would be incorrect to say though that ‘with their editorial independence, collaborative structure and merit based popularity’ amateur journalists can produce balanced, unbiased journalism anymore so then professional journalists. Editorial independence and collaboration do not change the fact that amateur journalists, like professional journalists, are still motivated by various goals and ideologically based assumptions of significance. This is because even ‘the apparently passive act of [information selection] is…an act of active construction, a form of giving meaning, a form of guided interpretation’ (Poerksen, 2008 p.298) – by simply choosing issues to represent and how they are represented, all journalists demonstrate particular biases and ideological assumptions. Thus, amateur journalists, like professional journalists, embed their news with contextually dependent biases and motivations.

Amateur journalism can still lead to a more effectively informed public, however, as blogs act to compliment professional journalism by providing alternative perspectives – governed by different biases or motivations – on issues. For example, the actions of the contentious Taxed Enough Already party in America are framed by some bloggers as a noble battle, an opportunity for poking-fun or as obscuring of more important issues. Here, it is the public who must act as journalist by exposing themselves to these alternative perspectives and generating a detailed understanding of complex issues – a process which may be assisted by collaborative discussion between users. Thus, in their diverse representation of issues, bloggers ‘celebrate the death of centralized meaning structures and ignore the accusation that they would only produce noise’ (Lovink, 2008 p.22). That is, they draw attention to the inability of journalism to communicate unadulterated reality, the plurality of truth, and in doing so create the possibility of a more holistically informed public.


I blog...

"I blog...". Some rights reserved by alamodestuff.

The ideal is, of course, a situation where audiences scour the back pages of search engines hoping to construct a complex understanding of issues.  This simply does not happen due to the merit-based popularity of blogs. Shirky (2003) makes clear ‘diversity plus freedom of choice creates inequality’ and explains that the frequency of blog access follows a power-law distribution where 20% of blogs receive 80% of the views due to the popularity hierarchy of search engines. The result is that ‘all voices can be heard, but not all voices attract equal amounts of attention’ (Russel et al., 2008 p.67) – audiences could be effectively informed by exposing themselves to the vast diversity of amateur journalism, they just choose not to.

References:

Flew, T., 2008. Citizen Journalism. In New Media: An Introduction. Melbourne: Oxford University Press. pp.106-16.

Lovink, G., 2008. Blogging, The Nihilist Impulse. In Zero Comments: Blogging and Critical Internet Culture. London: Routledge. pp.1-38.

Poersken, B., 2008. The Ideal and the Myth of Objectivity: Provocations of Constructivist Journalism Research. Journalism Studies, 9(2), pp.295-304.

Russell, A., Ito, M., Richmod, T. & Tuters, M., 2008. Culture: Media Convergence and Networked Culture. In Networked Publics. Cambridge: MIT Press. pp.43-76.

Shirky, C., 2003. Clay Shirky’s Writings About the Internet. [Online] Available at: http://www.shirky.com/writings/powerlaw_weblog.html [Accessed 03 June 2011].

Facebook and Privacy – The Public-Private continuum is now a slippery slope

In Serious on May 13, 2011 at 9:39 am

Topic: Analyse critically the following statement by Mark Zuckerberg while comparing it to privacy issues raised by online social networking collaborative practices.

[Uploaded by  on May 26, 2010]

“When people have control over what they share, they’re comfortable sharing more. When people share more, the world becomes more open and connected. And in a more open world, many of the biggest problems we face together will be easier to solve.” (start at 0:26 – stop at 0:39)

If you haven’t gathered, Zuckerberg (2010) is responding to the privacy anxieties surrounding the introduction of Facebook’s News Feed feature (read about it here). This feature has been called detrimental to privacy due to its pervasive collection and consolidation of potentially private information.  Such concerns are legitimate, and Zuckerberg’s claim that being ‘comfortable sharing more’ will lead to solving ‘many of the biggest problems we face together’ obscures the potential complications of a frictionless public-private continuum which, in particular, can include irreparable damage to individual reputations.

Traditionally, public and private information have been viewed as clearly separated. Paton-Simpson surmises this antiquated public-private distinction as ‘what is public is not private and what is private is not public’ (1998, p.320). However, it ‘it is wrong to treat the labels “public” and “private” as all-or-nothing classifications, since the difference is a matter of degree’ (Paton-Simpson, 1998 p.319). That is, the terms public and private should be viewed as opposite ends on a bipolar continuum, where information becomes increasingly public as it is more widely shared. Hence, as information flow increases obstructions disappear and this continuum becomes effectively frictionless.

The News Feed represents another step towards a frictionless public-private continuum, where information may journey from privacy to publicity with increasing velocity. This is not to say that privacy is unattainable, but that it is now a choice rather than a default state. While Boyd claims that ‘privacy is a sense of control over information’ (2008, p.18), I argue that it is instead the enactment of control over information – we know that we can blockade the private-public continuum by turning off the News Feed, but many of us choose not to. In a way, the News Feed actually gives us greater control over privacy, as we can carefully regulate the position of information on the public-private continuum. When one is aware of this privacy control, a frictionless public-private continuum is not necessarily a bad thing. Instead the threat of an ever expanding public realm is that information may be broadcast there without one’s consent or knowledge. I refer here to incidents like star wars kid or little fatty, in which potentially embarrassing information about persons are publicly disseminated. Such embarrassing information can seriously damage one’s reputation, which is a ‘key dimension of our self, something that affects the very core of our identity’ (Solove 2007, p.29). Therefore, although the internet allows us to negotiate the public-private continuum with greater control, we are conversely at risk of others using the same abilities against us.

The question that remains is how this frictionless public-private continuum has and will influence social interaction. A few years on from its introduction and the News Feed has really become the heart of Facebook’s social networking. Nowadays, it is common for people to use the News Feed to interact with people who they may have never interacted with in the “real world”. While it is true that the News Feed may be used for sinister ends, it is also uniquely facilitates social interaction. Perhaps the New Feed won’t help us solve many of the world’s greatest problems, but I do like to think that it pushes us towards a time ‘where we can finally be uninhibited about ourselves’ (Solove 2007, p.49), provided we are aware of the issues this raises.

References:

Boyd, D., 2008. Facebook’s Privacy Trainwreck: Exposure, Invasion and Social Convergence. Convergence: The International Journal into New Media Tehcnologies, 14(4), pp.13-20.

Paton-Simpson, E., 1998. Private Circles and Public Square: Invasion of Privacy by the Publication of ‘Private Facts’. The Modern Law Review, 61(3), pp.240-318.

Solove, D.J., 2007. How the Free Flow of Information Liberates and Constrains Us. In The Future of Reputation: Gossip, Rumour and Privacy on the Internet. New Haven: Yale University Press. pp.17-49.

Somewhatfrank.com, 2006. Facebook Redesign Angers Students Over Invaded Privacy. [Online] Available at: http://www.somewhatfrank.com/2006/09/facebook_redesi.html [Accessed 04 June 2011].

Zuckerberg, M., 2010. Mark Zuckerberg on Making Privacy Controls Simple. [Online] Available at: http://www.youtube.com/watch?v=sWDneu_w_HQ&feature=player_embedded#at=29 [Accessed 04 June 2011].

…and more bad news for pirates

In ebla on May 9, 2011 at 5:58 am

Yeah dawghttp://www.wired.com/threatlevel/2011/03/bittorrent/

Interesting article about small-time film companies suing large numbers of pirates who have illegal downloaded their products. Essentially, these companies are sending letters out to thousands of BitTorrent users stating they will be sued unless they pay an out of court settlement fee of a few thousand dollars – thus, these companies are attempting to make huge amounts of money out of relatively unsuccessful films. As annoying as this may be for pirates, it is admittedly pretty clever.

Here is one of the films in question. I can see what all the fuss is about:

 

Poster for “Nude Nuns with Big Guns”.


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